The exploitation of so-called “Black culture” by figures like Mona Scott-Young is a deep and multi-layered issue that reveals the systematic use of media to manipulate and misrepresent the cultural identity of Moors who have been misnomered as Black, African American, or colored. This is not just about entertainment; it is a deliberate strategy used to commodify and profit from the struggles, dysfunctions, and triumphs of a people while ensuring that they remain psychologically, socially, and economically subjugated.
1. The Weaponization of Stereotypes
Mona Scott-Young, as the creator of Love & Hip Hop, has built an empire by broadcasting hyper-dramatic, conflict-driven portrayals of Moorish American people (often mislabeled as “Black”). These shows magnify toxic relationships, violence, materialism, and dysfunctional behavior, reinforcing negative stereotypes that have been used to justify oppression for centuries.
- Instead of showcasing cultural brilliance, economic empowerment, or political strength, these shows glorify ignorance, pettiness, and excessive consumerism.
- This type of programming normalizes self-destruction, making dysfunction appear as an acceptable lifestyle.
2. The Control of Narratives
Who owns the production companies? Who funds the distribution? More often than not, these shows are financed and controlled by major media corporations that have no vested interest in the positive upliftment of our people. The “executive producer” might look like us, but they answer to a system that profits from ensuring that Moorish Americans remain in a cycle of degradation.
- Real empowerment narratives don’t get greenlit on major networks.
- Positive, uplifting content rarely gets the same marketing push.
3. The Psychological Conditioning
Repetitive imagery shapes subconscious thought. When people continuously see themselves reflected in a negative light, they begin to internalize these portrayals as reality.
- The youth, in particular, absorb these messages and start mimicking destructive behaviors because they see them as normal or aspirational.
- This plays into the larger agenda of social engineering—keeping us preoccupied with gossip, petty rivalries, and material gain instead of unifying for economic and political power.
4. Who Really Benefits?
While Mona Scott-Young might collect checks, who owns the networks? Who controls the advertising dollars? Who gets the real wealth from syndication and international distribution? The answer is never the people who are actually being portrayed on-screen.
- While some cast members temporarily “secure a bag,” they do so at the cost of their dignity and long-term sustainability.
- The real financial beneficiaries are the corporate executives and media conglomerates who reap billions while ensuring that the masses remain distracted.
5. The Moorish American Perspective
Understanding this issue through the Moorish American lens is crucial. We are not just passive victims of these portrayals; we are the original people with a vast and glorious history. The false identity of “Black” was imposed upon us to keep us in a legal and social dead status, making us more susceptible to exploitation.
- The solution is reclaiming our Moorish nationality and divine creed.
- Instead of supporting exploitative media, we must create our own platforms to control our narratives.
Final Thought
Mona Scott-Young is just a face on a much larger system of manipulation. She plays her role as a gatekeeper, ensuring that only the most destructive and superficial aspects of our people are amplified. The responsibility falls on us to reject these false representations and build independent media that tells the truth about who we are.
This is about mental liberation first—before any physical change can happen, the mind must be freed from the matrix of deception. It’s time to stop being entertained and start being empowered.
